In a recent interview with Apple Music Africa Now, Fireboy DML delved into the details of his latest album, sharing insights into his collaborations with Nigerian music icons Lagbaja and Seun Kuti. Notably, Fireboy mentioned that working with Lagbaja was a unique experience, as the legendary artist wore his signature mask throughout their entire recording session for the track “Back & Forth”, leaving Fireboy unable to see his face.
Fireboy also expressed his desire to collaborate with Nigerian music legends, aiming to infuse his album with a sense of nostalgia and depth. This deliberate approach showcases Fireboy’s commitment to honoring the country’s rich musical heritage while pushing the boundaries of contemporary Afrobeats.
“That’s a special record, right there. It means a lot to me getting a legend like Lagbaja on that record, in [the] time that we are in now. One major theme around the album is nostalgia—there’s this nostalgic feeling when you listen to the album, so it’s only right that I employed my legends in the game to help me push this message. Right from the very beginning, I knew this record was special, and I could not wait for everyone to listen to it.
You would not believe this: [Lagbaja] was masked up in the studio. It was crazy—I did not get to see his face. I had a few interesting thoughts; I wanted to ask him if I could see his face! But you know, all that matters is that we made the music. That’s what makes Lagbaja, Lagbaja. You know, “Lagbaja,” where I’m from, in the Yoruba language, means, “Mr. Nobody,” an anonymous person; so it’s only right that I do not get to see his face. I’m glad he got to be on the record—a special person, a special artist, a special record.”
Regarding his collaboration with Seun Kuti, Fireboy credits YBNL label boss Olamide and the album’s A&R for suggesting Kuti for the track. He described the Afrobeat star as an amazing and funny person.
“Big shout out to Olamide, one of the A&Rs on the album. When we worked on the song together in the studio, he advised me, “I hear Seun Kuti on this,” and the moment he said that it just clicked. I just imagined him in one very dark room, spotlight on him, with the sax just blowing away, and it just made perfect sense to me. He’s a very cool guy, Seun Kuti. Amazing person, very funny, down to earth, and really hilarious. He has a very colourful personality and it was fun making the record with him.”
In his fourth album, Fireboy named a song after the iconic Afropop star Wande Coal. He explained that both the song and the album serve as a tribute to the legends who have shaped African music over the years.
“I recorded that in 2021 I think, in SPINALL’s studio in Lagos. I was like, “When the time is right, this record will come out”—it just made a lot of sense. I listened to the beat once and it just immediately took me back to 2015-2016, when I was listening to one of Wande Coal’s records. It just sounded like something Wande Coal would love, something he would have loved to have spit on. I was like, “What would Wande of 2016 do? Let me just try that.” It’s sort of like a tribute to him; [everyone] knows I respect him so much.
This whole album is more like a tribute to all the legends that shaped African music over the years, and also a testament to myself, of course, and my growth over the years.”
